NCLR will share a “new” book review weekly: usually from the most recent or forthcoming online issue, but sometimes, in recognition of current events, from a back issue.
Saturday Review: “Painting A Varied Picture of Art in North Carolina” a review by Heather D. Wilson of
Liza Roberts’ Art of the State: Celebrating the Visual Art of North Carolina (2022) in NCLR Online Winter 2024 Since the early days, NCLR has not only promoted the work of North Carolina writers but visual artists, too.
Saturday Review: “Long Roads and Tall Pines” a review by Rebecca Duncan in NCLR Online Winter 2024.
Marjorie Hudson. Indigo Field. (2023)
Susan O’Dell Underwood. Genesis Road. (2022)
Saturday Review: “Translating The Mysterious” a review by Robert M. West of
Michael McFee’s A Long Time to Be Gone (2022) in NCLR Online Winter 2024.
Saturday Review: “Clarity, Consolation, and the end to Definition” a review by David E. Poston in NCLR Online Fall 2023.
Wild Liar (2023) by Deborah Pope
Polishing the Glass Storm: A Sequence (2023) by Katherine Soniat.
Saturday Review: “Poems of Hope and Redemption” a review by James W. Kirkland of Scott Owens’s Prepositional (2022) in NCLR Online Fall 2023.
With poems like “The Problem with Deciding on a Single Object to Follow the Preposition”….
Saturday Review: “A Story to Tell from North Carolina’s Past” a review by Kristina L. Knotts of David Wright Faladé’s Black Cloud Rising (2022)
Saturday Review: “On the Bus with Al Maginnes” a review by Barbara Bennett of Fellow Survivors (2023)
Saturday Review: “Moving Bodies, Healing Places” a review by J.S. Absher
Joseph Bathanti. Light at the Seam (2022)
Joseph Mills. Bodies in Motion (2022)
Saturday Review: “The Forgotten South, Remembered” a review by Dale Neal of Keith Flynn and Charter Weeks’ Prosperity Gospel: Portraits of the Great Recession (2021)
Saturday Review: “Moving Bodies, Healing Places” a review by J.S. Absher
Joseph Bathanti. Light at the Seam (2022)
Joseph Mills. Bodies in Motion (2022)