NCLR shares a Saturday Review Post weekly: usually a book review from the most recent or forthcoming online issue, but sometimes, in recognition of current events, from a back issue.
Saturday Review: “People As Part, Community As Sum” a review by John Hanley
De’Shawn Charles Winslow. In West Mills. (2019)
Anna Jean Mayhew. Tomorrow’s Bread. (2019)
“… while In West Mills asks us to examine how a community can be a foundation for its inhabitants, Tomorrow’s Bread asks us what happens when that foundation is stripped away,”
Saturday Review: “Spreading Awe: Childhood and Heritage in New Poetry” a review by Sarah Huener
Joseph Bathanti. The 13th Sunday after Pentecost. 2017.
Michael McFee. We Were Once Here. 2017.
“These are two poets with distinctive voices, voices that observe their youth, but which are also wiser than the past selves we meet within their pages.”
Saturday Review: “Tallying the Cost of Addiction in Appalchia:” a review by Dale Neal
David Joy. When These Mountains Burn. 2020.
Meagan Lucas. Songbirds & Stray Dogs. 2019.
In a serendipitous event, both David Joy and Meagan Lucas, both writers living in the NC mountains, have new books out this year AND were reviewed together for their last books.
Saturday Review Rerun: Lee Smith’s last novel, Blue Marlin, was reviewed by Barbara Bennett in NCLR Online 2021. Bennett calls Blue Marlin a classic “tale of initiation” of teen Jenny, loosely based on Smith’s own childhood adventure to Key West.
Charles Frazier’s latest novel, The Trackers, is out now and we look forward to reading it for a review in the fall issue. Frazier’s work is no stranger in NCLR pages; his last novel, Varina, was reviewed by Terry Roberts in our 2019 Online issue.
In this review by Robert West from 2021, he says about Flynn’s last book, The Skin of Meaning: “In other words, if you’re looking for neoclassical argument, dry stand-up comedy, or inspirational pablum, look elsewhere.”
So it’s fitting that Coby starts his review with “Michael Parker is a master at forming engaging, thought-provoking, and all around remarkable characters.”
“The last stanza likens women’s roles to a patchwork quilt: “The responsibility of being Native woman was placed upon / Her shoulders at birth, / Blanketed – like a patchwork quilt – around her body”
“…in this collection, Becker allows readers to engage with the Cherokee past and how it bleeds into a present-day North Carolina, reminding us of a long ago home.”
“Collected Poems of Marty Silverthorne is the tenth compilation of poetry from a man whose writing supported his own healing as it showed the world a quadriplegic person’s capabilities.” Godwin writes.