Flashbacks: In Fiction and To ’15
Continuing with our student interns’ selections, this week we have Keegan Holder’s pick. We look back at Michael Parker’s “A Mighty Pretty Blue”, published in our 2015 issue.
Each Friday, NCLR will post content from past issues. All past issues are currently available for purchase. Or check your library’s digital collections to read the full piece.
Continuing with our student interns’ selections, this week we have Keegan Holder’s pick. We look back at Michael Parker’s “A Mighty Pretty Blue”, published in our 2015 issue.
Graduate student Daniel Moreno choose one of the 2018 Albright Creative Nonfiction Prize Honorable Mention winners: “In times as ideologically and politically charged as we find ourselves today, Angela Belcher Epps’s Sandhill: A Symphony of Souls is not just an incredibly refreshing read, but a sobering one as well.”
This week’s “Friday from the Archives” is dedicated to Bertie E. Fearing, founding associate editor of NCLR and her love of cats and literature.
Friday from the Archives: Read an interview with NCLR‘s Founding Editor Alex Albright in the 2002, 10th anniversary issue. Read the first page here. Buy… Read More »An Interview with Our Founding Editor
Applewhite poem “Christmas by the River” from NCLR 2003
“I can’t help but think that this must be a fine life – a bookstore with sunshine lighting up the fresh flowers on an island with some of the best beaches on the eastern seaboard.”
“It is a poet’s place to bring truth and to question injustice, to be troubadour and truth-teller while calling for deeper witnessing and realizing what is here, now. It is our duty.”
In her article about Charles W. Chesnutt’s 1901 fictional account of the events, Perkins wrote Chesnutt’s work is like”…the method by which an artist or other type of historiographer attempts to re-assemble the pieces of stories that have been lost within the maze of politically motivated “historical” accounts.”
We have the utmost gratitude for all those who share their stories with us. But like others, we do sometimes wonder just why there are so many writers here.
“The job of what I call the Novelist of History …is to tell a compelling human story, …that not only engages the reader emotionally but also sharpens or even awakens an interest in the history that underpins the story.”