In her article about Charles W. Chesnutt’s 1901 fictional account of the events, Perkins wrote Chesnutt’s work is like”…the method by which an artist or other type of historiographer attempts to re-assemble the pieces of stories that have been lost within the maze of politically motivated “historical” accounts.”
“Spectral Pegasus / Dark Movements is a rich collection of poetry, visual art, and music that transcends customary boundaries between aesthetic discipline.”
A donation or gift subscription make a great gift for that “reader who has everything” in your life.
We have the utmost gratitude for all those who share their stories with us. But like others, we do sometimes wonder just why there are so many writers here.
“Carrying on with the theme of gratitude, I’d like to extend a heartfelt thank you to all the writers who’ve contributed book reviews to the journal through the years…”
Moser draws the reader’s attention from The Last Battleground straight through to Gerard’s award-winning book Cape Fear Rising.
“The job of what I call the Novelist of History …is to tell a compelling human story, …that not only engages the reader emotionally but also sharpens or even awakens an interest in the history that underpins the story.”
Join Editor Dr. Margaret D. Bauer and staff at the North Carolina Writers Network fall conference in Wilmington, NC, Friday November 18 through Sunday November 20.
At this weekend’s SAMLA conference, Professor Kirstin L. Squint will be moderating a panel of papers forthcoming in the 2023 print issue, which she is… Read More »NC Indigenous Voices Panel at SAMLA
Saturday Review in 2022: For NCLR Online Fall 2022, Jim Clark reviews new work by Paul Jones and Al Maginnes. Calendar pages turn. Leaves fall… Read More »“Bless all that rusts and ages”: Clark on Jones & Maginnes